Andrew Goodwin came
up with a framework with five key points that can be found in a music video.
The first point is that a music video shows genre characteristics. In the music
video for Dog is Dead The opening section of the video shows the band members
with their eyes closed in a pitch black room, each member has a set of glow
sticks in different colours spinning around their head. Also in the music video
for Little Comets the band are standing in a small dark room. This is a typical
convention in indie music videos as it focuses the attention on the actual band
itself, also the bands tend to have small budgets and so will have low budget
locations and music videos.
In both music videos the band members wear casual clothes.
This is a common characteristic in indie music videos as they try to be
different to other music videos, for example in pop music the artists must
dress up to look good. However in indie music there is no need to look smart or
better. This is an attempt by the record lable to
portray normality.
Another part to Goodwin’s
theory is that there is a relationship between the lyrics of the song. In the
music video for Young there is an illustrative
relationship between the lyrics and the video itself. An example of this is the
lyrics talk about flowers on the road side and the visuals show the flowers on
the road side as the lead singer cycles past on a bike, however the flowers
signify someone dying
in a road accident with them
strapped to a tree and dead.
Steve Archer came up with a native observation and said that music videos will
often cut from the narrative to the bands performance; the artist will also
sometimes play a part in the narrative. Archer’s observation in relation to the
music video for Young the Lead singer
is the main character in the narrative with the band members also play small
roles in the narrative and the narrative cuts from the narrative of the lead
singer in a field to the band playing in the wood.
In contrast the music
video for One Day In October the
music video is disjunctive, as there is no relation to the lyrics. Archer’s observation
also does not relate to this music video, as there is no narrative and the
whole of the music video is the band’s performance.
Goodwin also said that
there is also a relationship between the actual music and the visuals. In the music video for Little Comets the quick
camera movement and cuts reflects the fast pace of the song. Also the sections
of upbeat music is replicated in the hand held camera and the shots of the band
from the side. Finally the cuts for example when each band member is shown sitting
in a shopping trolley cuts to a different band member on the beat of the song.
Also in the music video for Dog is Dead the upbeat
sections of music are reflected in the video with medium shots of the band
members playing instruments and in the narrative section which shows the lead
singer riding a bike. However during the chorus the music becomes much darker
and sadder, the change in the atmosphere of the music is also reflected in the
music video as it goes back to the dark room and glow sticks. The close ups of
each band member singing and their emotionless expressions help reinforce the
music.
The fourth part of Goodwin’s framework is that music videos
have lots of close up. This is due to the fact that a music video is souly for
promotional purposes in order to increase sales of a particular song and band
popularity. In the video Young there
are lots of close ups of the band members, and example of this is when the band
are in a dark room with glow sticks spinning around them. This gives a close up
of every band member. However there is clear distinction as to who the lead of
the band is by the fact that they have the most close ups and screen time. An
example of this is when the band are playing in the woods he is placed in the
for ground and has multiple close ups. Also he has a close up at a canted angle
during the narrative when he wakes up in the field.
In comparison the music
video for One Night In October has
multiple close ups of the lead singer, however in general the music video
doesn’t have many close ups which is unusable for a music video.
The final part of Godwin’s theory is that there is a
reference to the notion of looking and the particular voyeuristic treatment of
the female body. The theorist Mulvey came up with the theory of the male gaze. This
consists of the gaze of the camera looking at a female’s body followed by the
gaze of the actor looking at the female and then the gaze of the audience.
In the music video for
Dog is Dead there is nothing that supports Mulvey’s theory but there is an
element of playing with looking, however the theory is for films rather than
music videos. During the beginning of the video when they are surrounded by
glow sticks, they have their eyes shut. There is a sense of the audience is
looking but the artist is oblivious to it. Also there is a medium shot
of the
artist during a section of narrative. He is looking into a section of wood from
the edge but the way it is filmed makes it appear as if something is looking
out back at him. Finally there are
multiple over the shoulder shots with quick pans and cuts to show people (the
other band members) stood in white clothes and hoods covering their faces. This
gives a creepy feel to the scene as the artist is being looked at by the people
around him. His sharp movements clearly show he senses someone watching him but
unable to see them.
However in Little Comet’s music video there is
not much playing on looking. There is no male gaze but when the lead singer is
standing in front of a blackboard and the lyrics appear behind him. The lead is shown in a medium shot and looks
directly at the camera showing the artist looking directly at the audienceFrom looking at these two music videos in detail I have been able to see the themes and ideas related two indie rock music videos and music. I will be taking this information and applying to my own work in order to make it fit in with the genre
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